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BORN
1943 Gronlid, Saskatchewan
EDUCATION
1980 B.F.A., University of Manitoba, Winnipeg, Manitoba
HISTORY
1983-1999 Fine Art Educator Shaftesbury High School, Winnipeg, Manitoba
AWARDS, COMMISIONS
2002 Cambrian Credit Union, Winnipeg, MB
2000 Women's Television Network, Wpg.MB
1984 Euhenia Holdings, Winnipeg, Manitoba
1982 Mid Can Food Brokers, Winnipeg, Manitoba
1980 Medal - Western Canadian Gymnastics Competition, Winnipeg, Manitoba
SELECTED EXHIBITIONS
International Exhibits
1991 Synergos II - Tour, Ukraine, England, France
Solo Exhibits
1996 "Vessels Of Emotion" Oseredok Gallery, Wpg. Mb.
Group Exhibits
2001 Piano Nobile Gallery, "Misplaced Memories& Extremities"
2000 Piano Nobile Gallery, "New Views", Wpg. Mb.
2000 Manitoba Institute Of Sculptors, Winnipeg, Manitoba
1998-1999 Gallery 75 7, Winnipeg,Manitoba
1995 All The Way From Rock, Craft Council, Winnipeg, Manitoba
1985 Three Woman, Oseredok Gallery, Winnipeg, Manitoba
1985 Osvita Foundation Exhibit, Winnipeg, Manitoba
1984 Summer Scape '84, Oseredok Gallery, Winnipeg, Manitoba
1983 Sculpture, Fleet Gallery, Winnipeg, Manitoba
1982 Sculpture, Lindor Gallery, Winnipeg, Manitoba
1981 Sculpture, Oseredok Gallery, Winnipeg, Manitoba
1981 Ukrainian Works, Alpha Omega Foundation, Winnipeg, Manitoba
1981 Sculpture, Assiniboine Conservatory, Winnipeg, Manitoba
Juried Exhibits
1991 Alpha Omega Juried Exhibit and Sale, Winnipeg, Manitoba
1986 Manitoba Society of Artists Juried Exhibit
AFFILIATIONS
- C.A.R.F.A.C ( Can. Artists' Representation)
- M.I. S. A. (Manitoba Inst. Of Sculpture)
PERSONAL STATEMENT
Within the context of my work, I deal with the human form. Feelings are conveyed to the observer through body language which is just as powerful as the spoken one. I have always been fascinated by hands and feet. Their shapes, their expression and their versatility are intriguing. They, like the body and face speak silently.The immediacy of direct carving allows me a great deal of freedom of expression. The choice of medium is important. The soft curvilinear human body is transferred into stone, a material associated with hardness, strength and permanence- but it's this seeming contradiction which intrigues me. Man/ woman as a soft form is captured in a material that implies the opposite. This marriage of image and material provides permanency for a fleeting expression we feel others are unaware of.
Jean Bachynsky, 2001
MISCELLANEOUS
Public Acquisitions
1998 Oseredok Gallery assisted by the Canada Council
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